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Rabia Gale

alchemical fantasy

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cover art

cover art

book cover monday

I confess: I am quite fond of book covers with plain white backgrounds, depicting a black-costumed assassin or mage in all his cloak-swirling and weapon-flourishing glory.

Like the cover of Brent Weeks’ The Way of Shadows

I like the swirly purple smoke/magic/gauze, too

Or Trudi Canavan’s The Magician’s Apprentice

David Dalglish’s Shadowdance trilogy

The contrast of white background and dark figure, and the swirl of a vibrant color, makes these covers visually striking. The Way of Shadows, for instance, really stood out from the rest of the books when I first saw it on the bookstore shelf.

This cover is different from the rest, but I couldn’t help but share it. Again, there’s the black and white contrast, coupled with a clever and imaginative concept. And great execution.

What styles of cover do you particularly like? Or dislike?

Check out my cover artist posts:

  • cover artist: Larry Rostant
  • cover artist: Chris McGrath

cover artist: Chris McGrath

Post-Thanksgiving, Life Has Been Happening (with a vengeance) and my brain is wiped, so let’s just admire cool book covers today, shall we?

I first when looking for Chris McGrath’s work after seeing his awesome illustrations for Brandon Sanderson’s Mistborn trilogy:

Done? (No? You can scroll back up–or skip my words and look down–I won’t be offended). I think these covers are spot-on for Sanderson’s dark, urban setting, a place of ash and soot and mist. Right away, you can tell this is not a pseud0-medieval fantasy or a bucolic setting (I think I’ve been waiting all my life to use “bucolic” in a sentence!)–there are no long journeys through rich farmlands, dense forests and the usual trappings of fantasy settings.  This is a menacing city, soon to be in turmoil. Note the lightning in the background, and the fire on the third cover.

I love the way Vin is depicted on these covers. She comes across as smart and strong, yet there’s still a bit of the former waif in her. I like the dynamism of the mid-fight scene in the second cover, and the contrast between Vin’s black and Elend’s white in the third. The pose of the two on The Hero of Ages is perfect–obviously together, ready to protect each other, take on the world and save it, too, that sort of thing.

Haven’t read the above book, but the female on the cover looks an awful lot like Vin (same model?). Which is probably why I like this one, too. And again, the guy and gal, guarding each other’s back, the woman staring directly and boldly out at the reader, while the man’s keeping a lookout to the side.

Something more traditional fantasy–look at the costumes–but still the darker colors. This time the man’s looking at the reader, while the woman’s looking off to the side. If looks like if I reached out, I could feel the texture of the man’s hair and of the wall behind them.

I had to include a Dresden File cover, just because. I like the ones with the whitish backgrounds best–they contrast well with Dresden’s dark clothes.

And here’s Sanderson’s latest Mistborn book (The Alloy of Law, which I have yet to read–can’t decide whether to get it myself or let have the husband have first dibs on it). I like the steampunk elements of this–the goggles, the gun, the clock in the background, the transport to the left (can’t tell whether it’s a really big train or an airship or what).

Check out Chris McGrath’s website to see more detail on some of these illustrations.

I’d like to make this spotlight on a cover artist a regular feature on this blog. Are there any illustrators–especially of F&SF–whose work you particularly admire? Let me know in the comments.

cover artist: Larry Rostant

I’d never heard of Larry Rostant, but when Anne Lyle posted up the fabulous cover for her upcoming Elizabethan fantasy, I knew I had to check out more of his work.

 


I like so much about this cover: the movement implied in the swirl of cloak, the “I’m coming to get you” look of the protagonist, the dark colors and the torch in the background that evoke another time. Right away I can tell that this is not some kind of sanitized world, and the protagonist is competent and dangerous.

Turns out that Rostant has done many covers I’ve admired over the years.

I love the exotic backgrounds and the concealing black costumes of these:

And the way movement and aggression is captured on this cover (or, I may just have a thing for veiled and turbaned figures):

Rostant’s also pretty good at the “Girl In Flowing Period Costume”-type covers, as you can see here. I find the covers of Kristin Cashore’s Graceling and Fire the most striking of that bunch–they’re much starker (and darker) and the poses just exude strength and spirit.

Check out his website for more eye candy.

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