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Rabia Gale

alchemical fantasy

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short stories

short stories

The Lime Pie Theory of Short Fiction

I have long agreed with James Macdonald’s assessment that writing a short story is like making a lime pie (at least, the way he describes the baking of said pie–I’ve never tried it myself). He writes:

In the same way, a short story either works or it doesn’t. Once prepared, using all your skill, you can’t go back and revise it into something that isn’t lime-flavored runny glop.

This is consistent with my experience. For every short story of mine worth submitting, there is at least one other that didn’t make the cut languishing on my hard drive. Some stories are partially written; I lost interest partway through, kind of like wandering off in the middle of baking a pie, except that eventually you have to come back to clean up the mess in the kitchen. Other stories I wrote till The End but they just feel “meh”. Many of these stories are purely experimental; short fiction is where I try out new techniques like second person POV, present tense and decidedly unlikeable protagonists. Some stories are based on a weird (in a cool kind of way) premise too slight for a novel to carry. Others revolve around some startling image that is, again, too thin for a novel. Since my time and emotional investment in a short story has always been small (compared to a novel!), I’ve always had the “Either it works, or it doesn’t” attitude towards them. Re-re-re-revising (squared) a short story is not worth it–for all that investment I could write a few new ones.

Until now.

I’m working on a short story right now: two first-person POVs, both unreliable narrators, linear narrative structure of the one POV broken up by the scattered scraps of the other POV. It’s a hard slog and the story is slowly giving up it’s secrets to me (like, one at a time, always during a shower. I may have to get very very clean if this story is going to be done any time soon). I wouldn’t call my efforts a first draft; it’s more like a zero draft, as in version 0.39. The point is, even as I’m cooking it, I know that this story needs a lot of fixing.

So, even though I know I measured some ingredients incorrrectly and that I forgot to keep an eye on that pot on the stove and now something is burning, is there any hope for this poor story? Or is it doomed to be an instructive failure?

Will my pie turn out? Stay tuned…

482 words

Wrote some more of yesterday’s short story. Not much wordage, but after such a long hiatus from original fiction writing, it’s good to get my toes wet. Y’all need to keep telling me to come on in, the water’s fine.

It is, isn’t it? Not too cold, right??

I wrote

Today, I started a short story. I wrote:

My daughter stalks me through amber chambers shaped from the secretions of our ancestors.

And promptly stalled out.

Funny, that. It seemed like such a cool and well-put-together story while I was nursing the baby at 4 am this morning…

a nice extra

One of the nice things about having a story published (besides the validation of having someone who is not your husband or best friend liking your work and making it available for dozens of strangers to read) is that occasionally you get a check for it. Now I’m too mercenary to frame said check and hang it up on the wall, but I can’t just dump it into the checking account, a mere drop in our pond of liquid assets. It is, after all, special money.

So, writer friends (and non-writer friends, too), what would you do when being paid for your writing is still an exciting novelty and you have no need to use the money to buy groceries or pay off debt? Would you splurge on a few new books or dinner out? Or invest it back into your writing somehow–put it into a new printer fund, buy a how-to book, sign up for a writing workshop? What are your plans for income generated by a not-yet-fulltime passion?

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